Posts Tagged: asia


5
Jan 10

I’m from here and over there.

kim35-2

kim35-1

“35mm… along with the wonderful rainbow flowered default borders that come when developing film in Long Xuyen, Vietnam (you have to tell them you DON’T want the borders when first ordering, lesson learned). After a lot of pouting I still thought the pictures were worth posting.”

One of my goals this year as a blogger is to seek out and spotlight the artistry lurking under my very nose.

We’ll start out with the above-quoted individual, who happens to be a friend of mine and one of my blog favorites.  She’s a radio DJ by the name of Ms. Button (aka Kim) and is currently posted in Vietnam, the place once called home by her family.

As a volunteer at ADAPT (An Giang/Dong Thap Alliance for the Prevention of Trafficking)– which is an organization that works to prevent human trafficking, specifically along the mekong delta– she teaches English to staff, works on grants, and visits scholarship recipients.

By far my favorite thing about Kim’s blog is the focus on and appreciation of everyday details.  Like accidental wall art.  Fashion digs.  Drip coffee.  Headfone music.  Maybe this is a mindset that emerges when one is in a new place.  Or maybe its just less snobby writing.  Or maybe I pay attention cos I know her.  Whatever the case, I think it’s rare to see artsy-fartsy bloggers (myself included) talk about this ish without assuming a detached, anthropological view.  Plus its a blog about life in Vietnam from someone who is actually Vietnamese.  ‘Nuff said.

These photos are a sampling of Kim’s exploits in Southeast Asia.  I’ve blatantly stolen her captions.  Check out her blog for more.

kim2
Off-white, brown strings criss-crossing to make a wicker basket pattern. Comfortable sole. Perfect way to fight the dust or dance floor.

kim3
Motorbike fashion: cover yo’ face.

kim1
RATATAT in Saigon.

rooftopxmas
Rooftop Christmas party in Saigon.

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Disneyland, Hong Kong

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No caption, but that’s a great umbrella.


15
Dec 09

Of oceanic proportions.

underwater museum 2
Lately it’s been hella rainy.

This has gotten me thinking about water in general and the ocean in particular.  I have enormous respect for it.  It’s the most terrifying and humbling presence in my life… for several reasons which I will list.

  1. I live 3 blocks from it and I’m a terrible swimmer
  2. The recent tsunamis/typhoons that wiped out so many lives and livelihoods in the Asia Pacific.
  3. That very real possibility of entire countries being swallowed up by it.
  4. There’s a worldwide drinking water shortage and the ocean is the only growing body of water… yet drinking from it will kill you.  Ah the terrible irony.

But I’m not even trying to be a downer.  Cos as much as the ocean can destroy, it creates.  Think about how much life there is down there that we haven’t even begun to grasp.  We try though, and I always enjoy people who try.

So this post is dedicated to the ocean and the artwork it inspires.

The pics above and below are from Mexico’s Underwater Museum, lifted from the UK Telegraph.  According to the BBC, the museum is intended to raise environmental awareness by serving as an artificial reef.  Apparently tourists were trampling on and destroying the real coral reef.

underwater museum 1

Shots from The Life Aquatic, directed by Wes Anderson.  The scenery and animation are fantastic… the film itself is highly mediocre.   In fact I’m only a fan cos I secretly dream of living at sea.  But I digress.

Picture 7

life aquatic 3

This is one of my favorite things to witness at Ocean Beach: older Asian men, fishing in rubber pants.  It’s calming and reminds me of my dad, who also happens to fish.  Photo minus said older Asian man.

ocean beach

Isle of the Dead, made in 1883 by Swiss artist Arnold Böcklin.  From Wikipedia:

Böcklin himself provided no public explanation as to the meaning of the painting, though he did describe it as “a dream picture: it must produce such a stillness that one would be awed by a knock on the door.”

isle of the dead


2
Nov 09

155 miles of barbed wire

together

Based off of photos from reunions among North and South Korean families separated by the Korean War.   Participants are chosen from a pool of hundreds of thousands of applicants for brief meetings with long-lost brothers, sisters, wives, husbands, and children.  The governments are currently in talks to schedule another meeting sometime in the future.

The vid shares the stories of several SK reunitees, as well as more on the politics and history of the whole situation.


7
Oct 09

The aesthetic of colonialism

dropular screenshot

I like media sharing sites.  My favorite place to overdose on hip?  Dropular.  By now, I’ve pretty much learned to block out the glossy nudies for pretentious assholes to jerk off to sexploitation of white women high-budget porn.  Which is probably the nicest way I can put it.

However, when I see photos of children and adults from the 3rd world alongside images of naked titties, cars, and furniture, I throw up a little in my mouth.  Apparently Southeast Asian families are the hottest thing since vintage gadgets and band posters.  In an attempt to understand who is responsible for this shit and why they think it’s okay, I’ve done some digging on my favorite haunts (mostly Flickr and Wikipedia) and also pulled from my good old-fashioned edumacation and life experiences.

First off, I understand that many of these photographers are well-intentioned and see themselves as helping the people in their photos.  They claim to raise awareness and also seem to be interested in ending poverty, in an abstract and patronizing sort of way.  And I get that not every photographer is necessarily exploiting their subjects.  Photography, film and art in general are valuable components to broader actions one might take to pursue justice.

That being said, there’s a fine line between art and exploitation, activism and voyeurism.  Too often, I feel like artists with good intentions fall flat because they don’t substantiate their work with context, critique or action (an artist statement with links to a few Western charities doesn’t count).

So what I’d like to know is: besides running amok and taking photos of poor people (which directly benefits you more than it does anyone else), how are you doing your part?  Do you work actively to highlight not only peoples’ tragedies, but their lives as actual people with families, personalities, and voices of their own?  Do you  spend an equal amount of time documenting resistance to exploitation (there’s a lot of that) and the crimes that perpetrators of poverty continue to get away with (lot of that too)?  How much compensation does each photographed person receive?  Do they receive a cut when and if you cash in on their images?  And by compensation, I mean the actual worth to you and not the amount that others have gotten away with paying.

By raising awareness, do you mean you stick your photos on Flickr with a link to your portfolio, or that you work proactively to educate yourself and others about poverty, the dynamics of power between and among the 3rd and 1st worlds, the continued pillage of the 3rd world via rampant cultural commodification and exploitation of labor and resources (which Western artists have historically engaged in and continue to benefit from)?  What are you doing to ensure justice against poverty in your own country?

Miners, Plan ColombiaSome might say this is unrealistic.  There’s only so much one person can do, and that much is true.  But there are artists who’ve managed to do it (to the left, a clip from Plan Colombia by the Beehive Collective– and I think we can all agree that “raising awareness” is much harder than skipping into the jungle with a camera, donning indigenous garb, and otherwise engaging in practices that are at best silly, and at worst exploitive.  Not to mention that high-minded talk needs to be accounted for; you either take responsibility or ditch the preachery and proudly own up to being a trendy 1st world thief.


11
Jul 09

I have no idea which way to go.

Side streets in Seoul, SK.  12/08.

alleys

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