Posts Tagged: bayarea


23
Feb 10

Brain implosion.

lawrence-yang-1

I’m really liking this guy’s artwork. Lawrence Yang is a web geek by day, artist by night. He paints intricate, colorful pieces that mesh nature and technology, watercolor and ink, plus a whole lot of other stuff that simple words cannot articulate!

I also like his approach toward balancing work and art.  He makes it sound so simple and enjoyable… as art (and work) ought to be.

A lot of the reason that I paint comes out of what I do during the day. Information architecture is this really cerebral, abstract thing so you have to think about information and how to organize and structure it for a website. I really enjoy it a lot but it really makes my head kind of implode. So usually by the time I get home my brain’s fried and I just need to relax so I’ll just sit down and paint the demons out of my head. That’s a lot of my inspiration.

What I do during the day really balances out what I do at night. I think I need to have both structure and chaos so the art is the chaos and the structure is my job and they sort of balance me out into being a normal functioning person. I think too much of one or the other would make me insane.

For more, check out his bloggy and look out for a group show coming up in March at Giant Robot SF.

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21
Jan 10

Home grown for the kids.

Open Minds Open Mouths cover

OMOM-sample pages

So I’ve gotten lazy with my bloggy lately cos I’ve been clicking, cropping, and Indesign-ing my evenings and weekends away.  Never mind my social life.

This is my baby of 3 weeks… it’s a booklet I designed for a film and webisode series called Open Minds Open Mouths.  The project documents the impact of Berkeley Unified School District’s Food Policy, which ensures that all BUSD students have daily access to organic, locally grown breakfasts and lunches.

In typical Berkeley fashion, the policy’s got its share of fans and haters. Which mostly makes me wonder what the people being most affected by the policy– kids of color and their families– have to say about all of this.  Anyway…  as someone who doesn’t know much about food policy, I ought to get schooled a bit, check out the doc when it becomes available, before adding yet another 2 cents to the chorus…


1
Jan 10

Hello 2010.

i am oscar grant

gone but not forgotten

Top artwork by Elliot Johnson, from the Oscar Grant Memorial Art Project.

From Oakland Local:

Today marks the 1-year anniversary of Oscar Grant’s death at the hands of BART police officer Johannes Mehserle and the case is far from over. Grant’s family has a lawsuit pending against BART, Mehserle is set to face trial in Los Angeles in 2010 and there are still cases against 3 activists that allegedly participated in the January 14th protests in downtown Oakland.

It’s the dawn of a new decade and emotions in Oakland are running high-from renewed anger over police brutality, to BART announcing increased police patrols for the night to the collective hope that this tragedy will be the catalyst to address some of our most pressing issues.

And as Susan states in her essay, the Oscar Grant case was essentially the spark that stoked Oakland Local’s fire. Frustration over with the way the media coverage unfolded and the lack of diversity in the coverage sparked its creation. Oakland Local was formed with the goal of providing a platform for the city’s diverse voices across race, class, gender and political lines, a starting-place we lacked.

In recognition of Oscar’s death–and the impact his killing has had on our city, Oakland Local has asked local leaders and just plain folks to look back at Oscar and the year.  We’ve also collected compelling coverage from the past year, including testimonials, community news reports, essays, poetry, and video. This is our attempt to honor those opinions. This gallery is a collaborative effort by a wide range of individuals and we thank them all for their passion and participation.

As the new year rolls in let’s take this time to reflect and ask ourselves how we can all do better in 2010. Not just for ourselves, but for the community, the city and our collective well being. There’s a lot of work to be done. Let’s make those 1st steps together.

Check out Oakland Local for more essays, photos, and artwork from the New Year’s vigil.

For now, artistry in and around the bay.  Graf by GATS and stencil lifted from Endless Canvas.  Bottom poster by Paul Barron, photographed by Gordon Gekkoh.

keep the trial local

oscar grant art

It’s a new decade. With the past at heart and eyes toward the future, lets make it a good one.


9
Nov 09

Shit to try on (if you aren’t broke)

5733

Tight fashion by the Oakland-based design duo, 5733.   A combo of sweatshop-free materials, solvent-free inks, fresh designs and a model who really knows how to stare down her camera guy…. it appeals to both one’s vanity and uh, conscience.

Plus this interview kinda just makes me wanna hang out with the designers.  The highlights:

Hyphen: Tell me briefly what your line is all about, how you got started, and what you think makes you stand out from the rest of the streetwear scene.

5733: We’re just a little company doin what we feel like. That’s the main ingredient. If we don’t feel like doin something we don’t. If we have some goofy idea we like, we do it. This is supposed to be fun. I assure you there are no demographic charts at the studio. That’s what keeps it all genuine. Occasionally we do something that sucks, but we take great pride in the fact that it “genuinely” sucks. This all happened by accident. We were just playin around screen printing stuff for our friends. We knew some of the guys at Hieroglyphics in Oakland and they had a screen printing set up in their warehouse, from there, everything just escalated.

Actually there is no “streetwear” scene, this is a common misconception. See a long time ago there were people doin things, being creative, having fun, wearing clothes, expressing themselves, you know, living. Then another group of people with smart phones and BMW’s needed a word to describe what the first group of people were doin to marketing execs and investors. So they came up with the term “Streetwear” to describe a plethora of creative and often incongruous styles that they didn’t know anything about.

Your designs are part political statement, part street art. What inspires your designs?

Life, NPR, Cinema, all the information that floats around out there. Ideas about achievement, society, perception and such. Some things just stick, they stay with us. We carry them around. The things that stick are what make us who we are. We’re just expressing who we are. We all write our own histories. Through emphasis and omission we create our identities. This is just us, being us. That said I think we also have a definite agenda, but that would be a long and tedious explanation.

What about the various Asian allusions? What’s up with that? May I ask also about the seemingly LGBT thread also hinted at in your work?

I can answer both really simply. We live in the Bay Area. Lots of Asians, lots of LGBT, lots of LGBT ASIANS. To that end I think we reflect what’s around us.

Why did you decide to sponsor Mr. Hyphen this year? In your opinion, who makes a good Mr. Hyphen?

Mr. Hyphen should have an air of confidence and a certain understated sophistication. He should be a man who can hold his own, intellectually, in any forum and at the same time know how to throw back a few at the neighborhood dive. Mostly though, the decision should be contingent on the size of his penis.

You can check out the rest of the interview at the Hyphen blog.

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