Posts Tagged: design


2
Mar 10

Doyoudonotsee?

doyoudonotsee-illlit

So you already know that I’m a fan of iLL-Literacy’s work and their approach to it.  This fall, they dropped iB41 for free. Now they’ve emerged post- winter hibernation, all psychedelic and spirals and shit, to ask ya freeloaders to contribute to their latest track.   At least the musically-inclined ones.

Check out the track and see what you can do.
iLL-Literacy – Doyoudonotsee?

I’m pretty sure that this thing called collaborative music is gonna swallow up the fatty record industry (or at least force it to take a fatty diet) and re-position music as we know it.  I know this cos I often predict the future.  Anyway, I’ve already ranted and raved about open source and sharing and the like in a previous post, so I’ll stop right there w/ the nerdery… and let the guys who made it do the talking!


12
Feb 10

THE HISTORY HOUSE

the-history-house

the-history-house-LARGEthe-history-house-detailthe-history-house-detail-2the-history-house-detail-3

The struggle has always been inner, and is played out in outer terrains. Awareness of our situation must come before inner changes, which in turn come before changes in society. Nothing happens in the “real” world unless it first happens in the images in our heads.

-Gloria Anzaldúa, Borderlands/La Frontera

I created this piece as part of a racial justice poster project. When coming up with ideas for the design, I knew that I wanted to create something that speaks to and pays tribute to the personal, internal growth from which movements for justice are born.

In the 23 years of my little life, I’ve been blessed to have walked alongside crazy cool people with wild, contradictory, profound stories. What I’ve gathered is that we’ve all come to understand and work for racial justice in different ways.  Sometimes they mesh, other times they clash. At the same time, activism is changing.  In this age of information, good PR is reality, something that every powerful institution is utilizing with deadening precision. Glossy commodified justice is circulated and consumed, while everyday struggles are left unreported, ridiculed, or tokenized.

For me at this point in time, this means taking it back to basics.  Even as an artist, it would be stupid to think that one poster I make or even a lifetime of work could herald a movement or a better world. There are too many creative and dedicated people out there for it to be that easy.  What I can do is share the things that have affected and inspired me: to learn, to be a better person, to do more for the people I know and would like to know.

I really like this quote by José Rizal cos it sums up something so simple yet easy to forget:

He who does not know how to look back at the place from which he came will never arrive at his destination.

Or in everyday speak:

No history, no self. Know history, know self.

This has been a root and guiding principle in my own life.  It’s also been a sort of restorative when shit gets complicated or overwhelming.  I like to think that racial justice isn’t a fight but a part of who I am.  This piece is an effort to visualize the natural and restorative core of racial justice: a retreat into the elements, the mind, and one’s own trek through life.

But enough with the cheese!  To show my appreciation for the zombies stoners good people who visit my bloggy, I am giving away a few prints. Yes yes… free stuff!!  They are full-color digital prints (17 x 11″) via Autumn Express in San Francisco. Just email me at dnm.choi (at) gmail (dot) com and mention the blog, we’ll talk.


21
Jan 10

Home grown for the kids.

Open Minds Open Mouths cover

OMOM-sample pages

So I’ve gotten lazy with my bloggy lately cos I’ve been clicking, cropping, and Indesign-ing my evenings and weekends away.  Never mind my social life.

This is my baby of 3 weeks… it’s a booklet I designed for a film and webisode series called Open Minds Open Mouths.  The project documents the impact of Berkeley Unified School District’s Food Policy, which ensures that all BUSD students have daily access to organic, locally grown breakfasts and lunches.

In typical Berkeley fashion, the policy’s got its share of fans and haters. Which mostly makes me wonder what the people being most affected by the policy– kids of color and their families– have to say about all of this.  Anyway…  as someone who doesn’t know much about food policy, I ought to get schooled a bit, check out the doc when it becomes available, before adding yet another 2 cents to the chorus…


12
Jan 10

It’s only been a week but it feels like months!

Okay… that’s just me.  For a week there I abandoned my little bloggy in pursuit of… well…  things I won’t share with you cos they’re not that interesting.  Suffice it to say that I’m back on this!

For its’ top 50 artists of 2009, Hype Machine invited 50 visual artists to create work inspired by the winning band names.  I feel like I’ve been posting a lot about music lately, but that’s only cos music is fuckin awesome and inspirational and life-changing (unless it’s created vomited into your ear by this creature plaguing the radio called ke$ha.  Why oh why??!!).

When yummy music is coupled w/ tight visuals that really get what the artists are all about, we all win.  Except for ke$ha.  You’ve got nothing to do with this.  Please go away.

Some favorites:

lykke li

Lykke Li artwork by Nitzan Ron

michael-jackson

Michael Jackson artwork by Yiying Lu

daft-punk

Daft Punk artwork by Lawrence Kwok

franz-ferdinand

Franz Ferdinand artwork by Kristina Schneider


22
Dec 09

Big city yum yums

street vendor guide

Vendor Power is a project by artist/designer Candy Chang, made in collaboration with The Street Vendor Project and the Center for Urban Pedagogy (CUP). This guide to street vending in NYC decodes the city’s cryptic volume of regulations through a series of illustrations.  Rosten Woo from CUP notes, “we tried to create something that uses as little language as possible to spell out the most critical pieces of the code.”

Many vendors are being fined $1000 for little things like parking their cart too far away from the curb, not “conspicuously” wearing their vending license, and other rules buried in the City’s regulation book full of intimidating jargon that would make even the most patient person cry. This guide helps clarify the rules through diagrams and minimal text in English, Bengali, Arabic, Chinese and Spanish, so NYC’s diverse vendors can understand their rights, avoid fines, and earn an honest living.

Vendor Power is part of a series called Making Policy Public, which uses graphic design to explore and explain public policy.  This is the beauty of design: a marriage of art and community needs.  Thousands of copies were distributed to vendors this spring.  Check out the research-and-design process via Urban Omnibus and click on the image above to download the poster.

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